JEAN GENET: Les Nègres (L´Arbalète, 1963)

 

Joués par la troupe des griots and mis en scène par Roger Blin dans les décors et avec les costumes d´André Acquart Les Nègres ont été représentés pour la première fois a Paris au Théatre de Lutèce le 28 Octobre 1959.



WYNDHAM LEWIS: The Demon of Progress in the Arts (Methuen & CO. LTD London, 1954)

 

Extremism = contemporary. I do not see how you could get nearer to the meaning of contemporary than that. Although one thinks of extremism as something perpetually moving forward (violently progressing), that is an illusion. Extremism may be some inconsequential movement, just enough to create the illusion that something is happening, although in reality nothing is happening. In both sculpture and painting, when extremism has been standing still for two or three decades, it gets to look more and more academic, less and less extreme. It will only be when that childish sport is abandoned that something really new will appear in the visual arts.

 

RALPH M. LEWIS: ALong Civilization´s Trail (Supreme Grand Lodge of AMORC, California 1940)

GORAN SIMIć: The Sorrow of Sarajevo (Transl. by David Harsent; Cargo Press 1996)

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CRAPOUILLOT: Les Pompes Funebres (No. 69, Juin-Juillet 1966)

FERNAND PELLOUTIER: Anarchism and the Workers Unions (Työväen Tuotantokomitea, Finland 2005)

APOLLINAIRE 2013 XMAS SPECIAL (Feat.: Redman & Gonzalez)

EMIL PALLESKE: Schiller´s Life and Works, Vol. I (Longman, Green, Longman, and Roberts; London, 1860)

AGLP - No. 0 (Apollinaire Free Press, 2010)

ALVARO DE CAMPOS: The Tobacconist (translated by J.C.R. Green; The Phaethon Press, 1975)

CRAPOUILLOT: Sexualité et Capitalisme (avec une Histoire de a Prostitution) - No.: 54 Octobre 1961